Terry Doerzaph is best known for his influential contributions to the arcade and pinball industries as a graphic artist during the early 1980s at D. Gottlieb & Co. He provided iconic artwork for several notable pinball machines, including Black Hole (1981) and Haunted House (1982), each renowned for their innovative, multi-level playfields and distinctive visual styles. Doerzaph's work on Black Hole integrated groundbreaking technical features, such as the industry's first visible lower playfield, enhanced by his striking cosmic-themed backglass and playfield art. Similarly, Haunted House featured elaborate artwork across three distinct playfield levels, setting a benchmark for immersive thematic integration in pinball design.
Beyond pinball, Doerzaph also contributed significantly to Gottlieb's video game ventures, most notably through his cabinet artwork for the classic arcade game Qbert (1982). His adaptability allowed him to effectively bridge the creative gap between pinball machines and video arcade games during an era when traditional pinball faced increasing competition from digital entertainment. As the arcade industry shifted and Gottlieb transitioned into Mylstar Electronics in 1983, Doerzaph continued delivering quality art across various media, including hybrid video-pinball projects such as Caveman and Qbert's Quest.